Saturday, January 21, 2012

Loving... Star Wars Uncut: Director's Cut





As a Star Wars fan it is really hard to describe my joy at seeing "Star Wars Uncut". It is wonderful and terrible at the same time... it is so varied and yet it remains surprisingly consistent.

I guess that's why I love it... it has an overall consistency that holds all the different clips together... some that are very well done and some that are simply awful - regardless as to how it is presented... regardless as to how it is interpreted and lived out... the narrative remains the same.





Here's the story:
In 2009, Casey Pugh asked thousands of Internet users to remake "Star Wars: A New Hope" into a fan film, 15 seconds at a time. Contributors were allowed to recreate scenes from Star Wars however they wanted. Within just a few months SWU grew into a wild success. The creativity that poured into the project was unimaginable.

SWU has been featured in documentaries, news features and conferences around the world for its unique appeal. In 2010 we won a Primetime Emmy for Outstanding Creative Achievement In Interactive Media.
I love it and recommend you watch it before it's taken down:



For more... head to www.starwarsuncut.com. My thanks to @littlewarrior for the heads-up.

Tx

Wednesday, January 18, 2012

My thoughts on "en seier" by åpne sinn



One of the reasons I love ambient music so much is the real breadth of the expression and artistry on offer to the listener... from neo-classical melodies to electronic drones via guitar-orientated soundscapes... they all contribute their particular flavours to the genre. Ambient is richer as a result of this variety.

Relaxed Machinery's upcoming release... "en seier" by åpne sinn... is exemplary of this richness. On this release Geoff Small... the man behind åpne sinn... has created some of the most exquisite ambient soundscapes I have heard. He has created music worthy of a soundtrack.

On the opening track "Son of low birth", for example, he brings to the table some wonderful ethic percussion and processed vocals that just make me melt and reminds me how wonderful the ambient genre is.

Similarly his collaborations with Steve Brand are just heartbreakingly beautiful: haunting... emotive... and deeply immersive. "Unconquered", for example, has a gorgeous sense of movement and emotion that just draws me in. "The Long Plains" has a glacial elegance that you can actually hear sparkle and shimmer before gracious beats enter and complete the track.

Small's collaboration with Peter James on "what rough beast" is fantastic and further demonstrates both the power and reach of the ambient genre and the creativity of both parties to the collaboration. This track is so deep with a field recording providing the foundation for some gloriously melancholic electronic drones.

The title track... "en seier"... juxtaposes glitchy samples of bells and chimes with the deep rumblings of a powerful drone. Small does this to great effect... creating something sinister and yet playful... that threatens to overwhelm but never quite does... but in doing so, he creates something of extraordinary worth.

My favourite track is the third one... "his great heart"... which brings to the table some wondrously mysterious and melancholic neo-classical string drones that instantly reminded me of the great emmalee^crane. There is an almost nautical feel about this track - it could easily soundtrack an HP Lovecraft story such as "The Shadow over Innsmouth". It is truly atmospheric and a real standout track for me.

All in... with "en seier" by åpne sinn Small has created a truly exemplary recording... one that is worthy of real accolade and recognition. It will be on my iPhone/iPods for many months to come and will... I have no doubt... find itself remembered in the end-of-year lists of note.

First class!

Tx

"en seier" by åpne sinn is due to drop in February.

Tuesday, January 17, 2012

Received... in the post :: hejorama.com travel notebooks



Its always nice to receive something in the post. Today I received two A6 Travel Notebooks from Hejorama.



Hejorama is a fab travel-orientated website that I only recently discovered. Their manifesto for travel is inspiring and I look forward to consuming the wide range of content they have on their site... from Food and Drinks, Art, Culture to Maps and How-Tos.

Here's an excerpt from their manifesto...

"...but we travel smarter. Faster. We travel in our ideas and passions and we travel the physical world with every opportunity. We are a new generation of travelers aided by cheap flights and massive social networks and online connectivity. This is our lifestyle. We are in perpetual motion. Yet we are aware that our license to more easily roam and learn the world, we have a great responsibility to build better communities and shape a stronger world."
I like that... and I liked their Facebook page... in do so, I won two of their Travel Notebooks... I was their 500th 'like'. I had no expectation as to what these Notebooks were and was delightfully surprised when I received them in the post tonight.



They are A6 and styled like a cahier. On one side is blank paper for your "chronicles" on the other side (flipped over) is more space for chronicles with the centre designed for addresses.



Their attention to detail and design aesthetic is simply wonderful... with a sweet "get lost" graphic on one inside cover and...



...the other inside cover has a rather interesting 'to do' list.



The contact book is, in essence, the middle sheet of paper... which gives you four pages for the names and numbers of the folks you meet.

All in... the notebook is like an analogue app for your smart phone. Its a nifty wee artefact that I am grateful to have and look forward to use. I might even use one in Glasgow... I've always tried to view my city from the eyes of both a local and a traveller. We'll see.

If you have a passion for travel... please check out Hejorama and join the journey.

Tx

Monday, January 16, 2012

My thoughts on "Memento" by Peter James



When I try and explain ambient music to my less informed friends and colleagues we will usually end up at the "new age whale songs" category. These folks are not being malicious, it's just that their understanding of the vast genre of music that I deeply love is limited to their experience. For them Brian Eno is the chap from Roxy Music who has produced U2 and Coldplay, and not the creator of the wonder "music for airports".

Field recordings are used to a varying degree in my experience, mostly as a means of enhancing the soundscapes presented. I like it when they are used as an enhancement but don't when that's all there is. I have tried to listened to some netlabel releases that feature field recordings heavily and predominately... and they have tended to bore me with little to maintain my attention. I won't even touch the "new age whale songs".

It was, in this frame of reference, that I was presented with "Memento" by Peter James from the Relaxed Machinery netlabel.

"Memento" is an intriguing release that features field recordings of natural phenomenon like running water, rainstorms and birdsong up front with the most minimal ambient drones and subtle bells/cymbals. What on paper seems like more cheesy "new age whale songs" is in fact expertly captured, rendered and presented by James in a manner that is deeply immersive and wonderfully meditative. In fact, there is a definite Zen thing going on in this release... and I really like it.

James had this to say about it...
"I have tried to keep all the pieces as simple as the moments they depict, so as not to blur the memories they evoke. It was in fact while I was recording “sometimes we forget” that I finally understood what the phrase “the best temples have no doors” really means for me.  So, ultimately, yes, this is a personal journey; but I hope that some new memories are formed, some new places found, real or imagined, that will create a wider sense of travel, even when standing still."
I love the idea that “the best temples have no doors”... and this recording lives and breathes it. The music is there but it is minimal... not getting in the way at all. What's really on show is nature in all her wonder and majesty... and it is for this fact I commend this recording. Yes, it's a more unusual ambient recording and yes, the last track may be a bit too long... and may result in you need the loo after listening to it (waves crashing has that effect on me)... but the imagination and the creativity of James to bring this together... along with the awesome sounds of nature... just astounds me.

"Memento" is available to download from CDBaby.

My thanks to John Koch-Northrup for letting me hear this and other releases from his label.

Tx

Sunday, January 15, 2012

In search of Alfred Hitchcock :: Spotify, Netflix, libraries and supermarkets… some more thoughts on access and ownership


Four things happened recently that have me thinking about the whole access vs ownership debate…

1) I listened to Bernard Herrmann's score for "Vertigo" on Spotify.
2) Netflix arrived in the UK… and I took them up on their 1 month free trial.
4) I went to my local public library in Motherwell and borrowed a couple of cookery books.
4) I bought four Alfred Hitchcock DVDs from my local supermarket.

I have developed a thing for Alfred Hitchcock and his movies. I love the titles, the styling and, most importantly, the music. I was reminded of this when Kim Novack complained about the recontextualisation of the love song from "Vertigo" in the new film "the Artist". She made me think of the Bernard Herrmann score, which I do not have in my collection… so I went to Spotify and had a listen. It is a great score and it set me off on a bit of a Hitchcock tangent.


Netflix then arrived in the UK and I took them up on their 1 month free offer. The intention is to actually pilot the service and see if it has anything to offer me, my family, and my lifestyle. So far it does not have anything to offer except for the fact I can start TV shows like "Twin Peaks" or "Dexter", shows I have missed or haven't seen in ages, from the start. The content is older than that on offer via Sky… a service I already pay for… for the Kids TV, movies and the cookery shows. Yes, I know Sky is parasitic to the UK economy but its the best fit for my family unless we take the road of watching even less TV and having less choice.

One of the many shows I could not find on Netflix was "Vertigo". When I looked, the only Hitchcock film on there was "The 39 steps". If I am to pay £6 per month to watch anything I wanted… I would like the assurance that what I wanted was there. It wasn't.

Yesterday I went to my local public library. I went with Miriam to return some CDs and a graphic novel (Miriam had books she needed to return too). I didn't see "Vertigo" there either but I did pick up a couple of cookery books to drool over.

The library visit was really pleasant - the staff there are awesome, the selection of content is usually top notch and the ambience of the space is excellent after the refurbishment last year.

Afterwards, Miriam and I heading to our local supermarket (we don't have a farmers' market nearby in Motherwell) to buy some salad for lunch. Whilst in there I picked up a boxset of Alfred Hitcock films (Psycho, The Birds, Vertigo and Rear Window) for £10 (it should have been £12 but someone stacked it wrong). This was the last of my Christmas money and I had fancied the boxset for a while.

This whole experience got me thinking about access and ownership… and I thought I'd try and get these thoughts coalesced into something tangible.


First off, my behaviour is changing but hasn't changed yet

I didn't automatically reach for iTunes, Amazon or, dare I say it, the Torrents to get a copy of Herrmann's "Vertigo" OST… I went to Spotify. In this regard, Access trumped Ownership. I didn't need to 'own' the OST… I just needed to hear it (it's playing now… as I type).
Similarly, before I bought "Vertigo" I looked for places to access it - I looked for it on Netflix and in the DVD section of my library. I didn't look for it on Sky's schedule and maybe I should have… but I wanted to see the film now and not have to wait. This again is Access trumping Ownership.
I did, however, revert back to old behaviour when I saw, by chance, the boxset containing "Vertigo" in my local supermarket. Price was important and I probably wouldn't have bought it if it was over £10, if truth be told, but it wasn't so I bought it.

I believe behaviour is changing towards access over ownership but it isn't there yet… better choice is needed. Sky provides access but not necessarily at the most convenient times. Its not instantaneous. Whereas Netflix provides instant access but doesn't have the range. We need range AND convenience before access will trump ownership... that is unless we take the road less travelled and downsize our TV consumption.


Secondly, libraries will continue to have a place in our lives

I was asked recently where I see libraries being in the coming age of Kindles and iPods… and this is my response… libraries will continue albeit they may need to change.

The digital age is having a toll on publishers of content, not consumers of content. The library is not a publisher of content - it does not tell you what to read, listen to or watch - but an aide to consumption - the library stocks that which is deemed to be popular along with that which is deemed to be important. Whilst I am not sure who makes these decisions or the factors they consider when considering at the content to stock, I know they do not stock only popular content.
Not only that but they stock content that only those with the willingness or disposable income to buy can own. Take, for example, cookery books.
I love cookery books or, to be more specific, I love looking AT cookery books - I aspire to the level of their level of quality in terms of design, especially type, and photography. I would love to photograph food for a cookery book. For all my love for cookery books, I am not a cook and the recipes are wasted on me. I do intend to rectify this but at the moment cookery books are all visual to me. To this end owning cookery books is a bit of a waste of money for me… which, to be honest, is something I know to my shame having about a dozen books on my shelf not doing anything other than looking pretty.

The ability for me to borrow cookery books from the library means I do not waste my money… at least initially. I can try before I buy or, more importantly, I can record those recipes that I actually try and work for me… and create my own collection. If there are sufficient recipes in the book then I will buy a copy but if there aren't then there is no point.
Libraries, in this regard, provide a form of analogue streaming. Streaming is all about access without the ownership and libriaries provide this in an analogue form… I have the artefact for a short time to consume but do not own it forever.

In addition, there is no need to own obscure content. I remember from my days at Napier University the frustration in having to buy a reference book for a single class… I much prefered to borrow but could never borrow for the term I needed. Libraries provide access that whilst available to own we do not need to own but only need to access for a limited time.
I hope there will always be a library for as long as we want analogue streaming.

Where libraries will need to change is the notion of 'inconvenient access'… I have to access them at times which may not be convenient for me. I usually go on a Saturday morning to bring back and load up… this is because I am not home and fed in time to get over to my local before it shuts at 7pm. I could do it when it shut at 7:30pm but times have changed.
Yes, I can renew online and I am grateful for this… but I can not browse in my underpants at 7am unlike Amazon. Could this be the future? An Amazon-like interface for the library? Browse online and then receive your order through the Post? Maybe we could save the libraries AND the postal service with this notion?

With a library the institution owns, on your behalf as the taxpayer or as a contributing member, the item you wish to have access to. They are the inbetween stage between Access and Ownership… and for this fact I forsee not only their continuing survival but their strengthening position through their positioning as a provider of the niche, the obscure and the expensive.
A club that shares expensive Vintage cars is a library of sorts… as is a garden tool cooperative. You could argue that Netflix and Spotify are libraries too albeit I am not sure if they 'own' the content they stream. It is in the common good for people to come together and share their resources so that access to an object or range of objects can be guaranteed. In this way those who could afford to access specific content are not the only ones who can.


Thirdly, technical all-in-one-ism is leading to greater specialisation and improvements in specific stand-alone devices… which means the artefact will continue

Frog Design point to this in a recent article…
For the past decade we have been seeing a convergence of multiple pieces of hardware into fewer generalist devices. The smart phone is the almost perfect example of the convergent digital device as Swiss Army knife. It has absorbed much of the most common use cases for portable devices, like music and video consumption, digital photo and video capture, email and calendar, and simple things like time keeping. I read countless blog posts proclaiming that dedicated devices, like the camera and the watch, would rapidly shrivel and die. Instead, I think new technologies will provide opportunities for them to get better. When users do purchase a dedicated device, they are gravitating towards products with higher quality and better design to elevate their experience. It turns out that the convergent device is killing the commodity digital product while forcing everything else to improve.
The iPod and the Kindle will take the commodity content but the specialist content will remain and improve… consider the upturn in vinyl sales, for example. What we will see is better hardcopy books, such as the cookery books I borrowed, being produced. Kindles and iPods won't kill books or physical media but make them better… the pop and the pulp will go the way of digital… whereas the artefact will remain.

This is true for supermarkets too. They will continue to provide the pop and the pulp… but they do not and will not stock everything… leaving room for the specialists and their provision of the unique, the niche and the artefact.

Saturday, January 14, 2012

Grabbing a coffee with Marc de Ridder

120112_ Marc de Ridder

Marc de Ridder is one of my all-time favourite photographers and someone who I consider a mentor in my photographic journey. I was proud to work with him and consider him instrumental in the continuation and progression of the photo-safaris we held (need to get them going again).

120112_ Marc de Ridder's TLR 1

We used to have great discussions on cameras as well as the craft and process... so you can understand my delight when I caught up with him on Thursday past (12th January) for a coffee and he pulled this wee beauty out of his bag...

120112_ Marc de Ridder's TLR 2

The Rolleiflex Twin Lens Reflex is an amazing camera... and this one has a build that has last 70 years (give or take). It is tricky to use initially... but it's output is stunning in a film kind of way. I need to get the Yashica I was loaned out and about again.

120112_ Marc's vintage light metre

Marc also showed me another of his recent eBay purchases... a wonderful 60's light meter. He paid a quarter of the price for this one compared with the current-day equivalents... and had to get a wee doohickey to alter the batteries that could be used as the batteries used in the 60's are no longer in production.

I really love the idea of reusing old kit... I mean the build on this light meter was top dollar (as was the TLR)... it work really well and was very accurate. It even had an add-on to do spot reading... which is so cool.

Marc needed The Small Battery Company to enable him to use the light meter. Without them and their adapter for the battery pack, he couldn't use it. The device would be obsolete and just a nice paperweight. I like that.

Anyway... here's to mentors and the inspiration they bring. I'm going back to my film cameras.

Tx

New posts on The Future Elements :: Canyons of Static and Good Weather for an Airstrike



My first two posts are now up on The Future Elements website.

Of Farewell shadows by Canyons of Static I said this...

"This is a release that moves… it has a wonderful sense of fluidity… it doesn’t stay in one place too long… it doesn’t over-emphasize the point… there are no labored drones or overly used motifs. It has a taut muscularness about it… the guitar-orientated equivalent of a championship racehorse… all muscle… all business."
8/10
Follow the link above for more
----------



And of Underneath the Stars by Good Weather for an Airstrike I said this...

"This is sunrise music… soundscapes that almost perfectly capture the still of pre-dawn, expertly convey the anticipation of the pending rapture of a new day and paint a glorious representation of first rays of morning."
9/10
Follow the link above for more
----------

I really enjoyed the experience and look forward to my next assignment. I won't stop blogging about music here... but instead have expanded my reach.

Grateful to Noor and the rest of The Future Elements gang for inviting me to join them.

Please do all you can to support independent music.

Tx


Thursday, January 12, 2012

Loving... The Republic of Dreams by Jeff Scott Townsend



The Republic of Dreams by Jeff Scott Townsend is simply one of the most entrancing and engaging pieces of neo-classical music I have heard in a very long time.

I can't quite find the words to adequately describe how wonderfully luscious and pastoral Townsend's simple piano-orientated soundscapes are... but they have hit home to me and become cherished like the score to an old favourite film.

I think magical is an appropriate term for the music presented in this release... simply and stunningly magical... in an otherworldly sense. These soundscapes transport me to another place... a place of warmth, comfort and rest... a place I want to be.

I would heartily recommend this album and am very grateful to Jeff for giving me an advanced copy to soak up a couple of days ago. This week has been a great week for music... and The Republic of Dreams was/is definitely a highlight.

Have a listen below... and do all you can to support such wonderful independent talent like Jeff Scott Townsend:





Thanks Jeff!

Tx

The Joy of Books



Sometimes WOW just doesn't quite do it...

Tx

(via This is Colossal)

An iPhone Captures New York City :: a book by Tony Cece



My twitter friend, photographer Tony Cece, has done something I would love to do... he visited New York and captured the trip with his iPhone 4S and a SX70 Polaroid camera... and has now self-published a book showcasing the iPhone photos. The book is entitled 'an iPhone Captures New York City' and is available on blurb.com.



When I took the time to preview the book I was mightily impressed at the quality of the images captured.

According to the foreword... Cece used an iPhone 4S with the Hipstamatic app (using the Loftus Lens and Rock BW-11 Film) without the flash. He also used an Olloclip lens that slips on the iPhone for wide including fisheye angles.




All images contained in this book were taken with an iPhone 4S. It was my first trip to New York City, so the images captured reflect my desire to see as many popular spots as I could during my brief one day and a half in the city. They are wide shots that show the larger context I was seeing as I took it all in. I'm sure that my photographs will be completely different the next time I visit the city and zoom my focus to show more of the people, lifestyle, extures and movement of New York City.
Tony Cece... taken from the foreword of 'an iPhone Captures New York City'.




Apart from Cece's images... I like the fact he has created a physical artefact from near-disposable digital media... something lasting built from something fleeting and almost throw-away.

We snap... fix... upload... move on... never really taking the time to review and return.

Think about it... if you have an Instagram account... when was the last time you took the time to review your own feed? We tend not to... and as such we lose the spiritual bond that comes from handling the physical artefact. What Cece has done is renew this bond by creating a physical book. I like that idea a lot and am inspired by it. It's not a new idea... but it is an idea well executed here.



'an iPhone Captures New York City' by Tony Cece is available on blurb.com.

LinkWithin

Related Posts with Thumbnails